Do people sometimes ask you why you make your own clothes? Or why you knit your own jumpers/socks/blankets? Or why you make quilts or greetings cards or paint pictures. Does there always have to be a logical answer to questions about why we want to create certain things?
Mr. Tialys cannot see the point in buying perfectly good fabric and then cutting it up into smaller pieces and joining it up again – this is a very common ‘man’ question I believe. If I were smashing plates and making mosaics, I don’t believe he would ask the same thing. Although he might look askance come dinner time.
Another question he often asks is why I have so much fabric that I would have a job using it all up in my lifetime (no matter how long that might be) yet still, occasionally, well quite often actually, buy more. This, I don’t really have an answer to except that it makes me happy and keeps me out of the casinos, pubs, betting shops and places of ill-repute that I might otherwise frequent and spend my money in. Unlikely scenarios but you get my drift.
Sometimes I make things ‘just because’ – although I do usually have some sort of vague idea why I want to make something even if it’s to try out a new skill or method to see whether I want to continue down that road or never touch it again – needle felting anyone?
(This is not to denigrate the craft of needle felting in any way because there are some awesome needle felting artists out there – just my own lack of proficiency at it. Just saying..)
Anyway, I recently got the foundation paper piecing bug which, for anybody who doesn’t know what that is, involves laying small pieces of fabric on to the reverse side of a printed paper pattern, then flipping it over and sewing each, sometimes teeny piece, onto the piece adjoining it in the order stipulated by the pattern, until you have a completed patchwork block or image. Then you have to tear all that paper off which has hopefully been thoroughly perforated by your sewing machine needle and, voila, a finished work that should be very accurately pieced. You may well ask ‘why?’. Well, I like it because I sometimes find accuracy fairly hard to achieve using other piecing methods and this appears to be my best shot.
Here is how a piece looks from the reverse side with some of the papers removed.
So, inspired by a recent project by a blogging friend Avis of OhSewTempting, and because my Dr. Who loving daughter has just moved into her post-university flat and needs a few soft furnishings in her life, I decided to make a paper pieced Tardis and then incorporate it into a cushion.
So far so good. I had a project with a purpose and could use some stash fabric to make it.
I found some ‘constellation’ fabric that had come in a ‘stash building’ bundle of ‘blues’ I’d ordered online and didn’t even realise I had. (Slight pause while we all stop laughing at the very idea I need any ‘stash building’ ). This would made a perfect background for the Doctor’s tardis hurtling through space and time.
Then, I remembered I had some ‘Police Box’ ribbon I’d bought for making quirky dog collars.
It was meant to be. My life was complete.
The first mistake I made was not checking my printer settings so the pattern printed out to finish at 9.5 inches instead of 10 inches which I didn’t realise until I’d already started piecing and, as it didn’t really need to be a specific size as it’s not going into a quilt, I let it be. This, despite the fact that, two posts ago, I wrote about this self-same thing.
The second mistake I made was believing the designer had made an error and put the outside written notice on the wrong side of the tardis – something my daughter would have immediately picked up on. So, I reversed the pieces, forgetting that because you sew the fabric on the reverse, the reverse eventually becomes the front. I expect your brain hurts now. I know mine did. Anyway, trying to be clever made joining those window and door pieces more difficult than they needed to be but I got there in the end.
It was all coming together so well. All the individual sections looked good.
Then I started to join them together.
This was the first result. I had noticed the slight overhang on the right side of the tardis wasn’t overhanging slightly or in any way at all on my version but thought it wouldn’t matter too much as the rest wasn’t bad. Then, what wasn’t that obvious in ‘real life’ became glaringly obvious in the photo – the right hand side of the tardis was in its own time warp and waving about all over the place and there was bagging in the background fabric.
It was around about that time I found myself asking the question ‘why?’ and also cursing quite a lot in a very unladylike manner.
I had to unpick many many teeny stitches and, after a couple of attempts at re-doing it through the papers, eventually took the seams apart up the sides, separated the mid section, redid the ‘police box’ line, took the papers off and then joined it all up again with 1/4 inch seams of my own devising.
Well, I am older and wiser yet again and have now tackled teeny pieces in a pattern and have ended up with a vaguely acceptable tardis.
I’m going to put a border round it to make a bigger cushion and do an envelope back edged with more ‘Public Telephone’ ribbon. Any ideas for the border colour? I’m thinking of the navy I used on the box itself or maybe some navy with little white stars but other suggestions welcome.
O.K., there are still a few areas I could improve on and, if I made it again, I would stitch those little window frames as Avis did as it looks a lot neater (as does her whole project but I have aspirations), and the good thing is that the pattern – printed free from Craftsy here – says ‘intermediate level’ so perhaps I can now feel I’ve graduated from ‘beginner’.