Posts Tagged dry January
I don’t make New Year resolutions or set myself lists of targets or challenges – I don’t like the pressure. I don’t need it. That doesn’t mean, however, that I don’t randomly decide to do things that stretch me a bit.
For instance, I made a pair of jeans recently that stretched me but, ironically, didn’t stretch enough themselves to fit me comfortably. As you know, I’m making a coat at the moment which is also promising to be a challenge but, hopefully, will fit me at the end of it.
I also decided to do Dry January again which is a challenge every year and I’m sure they add extra days to the calendar. (For those who are not overly concerned by alcohol related matters, this means not a drop to pass my lips throughout the month of January 😱). I did briefly consider continuing the abstinence forever but, as I found myself literally counting up how many days were left until 1st February when I was out walking the dogs the other morning, I really don’t think that’s going to happen. It’s been harder this year as Mr. Tialys didn’t join in so I’ve had to watch him
glugging sipping a glass of wine with his dinner while I’ve noticed that both the frequency and quality of my kitchen dancing has deteriorated since the 31st December.
Anyway, back to the crafting. I spotted a new yarn by Rowan the other day and also a lovely book of patterns using the yarn designed by Martin Storey. I fell in love with this cardigan and decided to ditch the hook for a little while and take the needles up again.
My last knitting projects were a pair of socks knitted on a teeny circular needle and a cabled blanket knitted on a massive circular needle. It felt strange to be holding a pair of needles again and even stranger to contemplate working from a chart. I usually prefer written instructions and have actually translated the first couple of rows but I think, once I’ve got those under my belt, I’ll be able to just go with the chart.
The beautiful yarn used is Rowan Moordale with is made with British wool and alpaca – however, it costs around £16 for a 100g skein which would make this cardigan cost almost £100. I baulked at that a bit – especially since I haven’t knitted anything this complicated in a while. The patterns says ‘expert knitter’ which, although I’ve been knitting since I was knee high to my mother, I’m not sure is how I’d describe myself.
I recently found a site called Yarnsub which will suggest alternative yarns to use if you can’t afford/can’t find/don’t like the one specified by the pattern. They grade the suggested alternatives by taking into account the density, the ply, the appearance, the cost, etc. and put them in order of suitability. One of the top ones in this case was a Bergère de France yarn called ‘Lima’ which has the same amount of wool (though French rather than British) and alpaca and the same ‘haze’ on the finish. Lima comes in 50g balls – as opposed to the 100g Moordale skeins so I needed to buy double the amount, with a little extra just to be safe. I went on the Bergère de France site and found Lima to be discontinued so they had it on sale for half price – only £2.20 for 50g which means, if I ever finish it, it will cost me less than a third. You’ve got to love the internet at times like these.
This is the colour I’m using, it’s a muddy kind of green called ‘Mangrove’ which sounds horrible I know but I think it’s a colour that will be useful as it will make a change from the greys and blues I usually go for.
As I had purchased the pattern book, and there’s some other nice items in there, I went back online and bought some more Lima in a blue colour. I’m thinking about using it for this one but Mr. Tialys says it looks like it’s been put in the wash and shrunk.
Personally, I like the cropped body, but do you think it would spoil the style if I made the sleeves full length? I will have plenty of time to make a decision as I don’t anticipate finishing the heavily cabled cardigan before next autumn – it’s not one I can do in front of a Netflix box set that’s for sure.
There is a baby on the way in the family though (for my niece) and I can crochet a stripey blanket while immersed in real life crime stories or a drama that manages to drag on for 24 episodes or so. I’m using the ‘Little River Blanket’ pattern again but, as I am reliably informed by my sister and Cathy who is given very particular instructions when knitting for her grandchildren, grey is on trend for the tot about town. Who would have thought it?
I can’t possibly make it all in grey though – even if those greys are in slightly different shades. I’ve got two big packs of cotton yarn – one 50g ball in each colour of the Paintbox range and also, in my stash, some sunny yellow Rowan cotton yarn which I thought I’d use for the first and last rows, and the highlight on every 5th row as stated in the original pattern.
This is it so far. I’m intending to switch subtly between grey through lilac through duck egg blues – don’t know about the middle yet – then repeat in the opposite direction for the other end. The gender of the baby is unknown. The niece might consider the yellow too bright.
If it’s not ‘baby appropriate’ by the time I’ve finished it, I will still like it myself and I’ll just have to whip up a quick baby hat or something for the niece’s baby as it’s due in February some time.
Even though the patchwork block swap I’ve been participating in hasn’t quite finished yet – there’s one month to go – I have actually made all the blocks I need to and I’ve already started getting withdrawal symptoms. Kate and Sue who have run the F2F (Foot Square Freestyle) swap for the past two years, have decided they need a break from organising duties and as I am more of a participant than an organiser I didn’t offer to take it over so, sadly, when Claire receives her 24 blocks from 8 other quilters around the world by the end of February, that will be it.
I found that participating in the swap really motivated me to improve my work, try out some new techniques and get things finished on time
So, what to do next?
I searched around the web for other swaps but the few I managed to find had either already started or didn’t appeal.
Kate has started making a quilt – unusually it will be for herself – from a book both she and I have had for years.
We’ve both been in love with one particular quilt inside it – I even made the templates for it and one block back in the mists of time – but never got any further.
It’s rows of vintage hatboxes made to look as if they’ve been covered in wallpaper, as olden day people used to do, and each one set in the angle of a little cubby hole with a floor and two walls. So, lots of design decisions to be made.
Kate has been busy with it for a few months now – you can see her progress here – and I decided I would join in with her and we would aim to make three blocks per month and publish them on our blogs at the end of the month. This will be my motivation.
I am making a wall hanging for my bedroom rather than a quilt – there is an empty wall behind the bed and I thought this might go well there rather than a picture. I don’t want it to dominate the room or anything so I’m not making it too large, just four blocks wide x three blocks high. If I make three blocks per month, it should be ready to start putting together in May.
Each ‘cubby hole’ is constructed by joining two trapezoids, one reversed, plus an 8.5 inch square which is set in to the angle of the trapezoids. Eek! I was so pleased when I got it right first time and then realised my perfect seam would be covered up with the hatbox appliquéd on top – still, that’s patchwork for you. Here’s a ‘blank’ just so you know I can do it.
And here’s the block after the hatbox has been added.
I decided to use scraps for the backgrounds where possible and Liberty tana lawn for the hatboxes. I realised too late that, because the tana lawn is so fine, you have to be careful what you put underneath it. You can see the stripes of my ‘flooring’ vaguely show through but I thought it sort of looks like part of the design on the box so I’ve left it.
This one is a darker print so I got away with it here but, for the other blocks, I won’t use that particular striped fabric. I am not usually an ‘appliqué person’ but Kate has got me trying several techniques I’ve either never done before or previously said I’d never do such as foundation paper piecing so here’s one more to add to the list. I am using Bondaweb to attach the hatbox shapes and then using a turquoise thread and machine appliquéing on to the background.
This next one had to be re-done because I had used light coloured tana lawn for the hatbox and the ‘floor’ was showing through and making it look as if there was a shadow across the box. I had to peel it off – a tragic waste of both Liberty and Bondaweb -and use a darker design. You live and learn.
I’m enjoying making these hatboxes but my workroom is a mess – strewn with fabrics over every surface as I audition them for ‘wallpaper’, ‘flooring’ , the hatboxes themselves and the bands. Decisions, decisions……
I will finish by proudly announcing that I have managed to complete Dry January without a drop of alcohol passing my lips – apart from that used in cooking which doesn’t count because all the alcohol comes off as vapour (boo!) . I never usually touch Pastis – the favourite aperitif of the French – because wine is my poison and the aniseedy alcoholic tipple makes me go woozy very quickly which is a feat in itself. However, Ricard (the favoured brand of the French when imbibing their favourite aperitif) make a version called Pacific which has no alcohol, no sugar, no calories, no nuffink apart from quite a few E numbers but I haven’t looked them up to see whether they are dodgy ones. As with the real stuff, you dilute it with 5 parts water but, unlike the real stuff, it is already a cloudy colour.
This, and Bucklers non alcoholic beer (which is really Lager if you are British) , kept me on the straight and narrow when temptation threatened to overcome me. I don’t know whether you can get it (or Bucklers) outside of France but, if you can, and you are the designated driver or want an alcohol free evening for any other reason, I would recommend it.
A bit of culture for you today – you can’t say my blog posts aren’t eclectic.
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
from The Wasteland, T.S. Eliot (1922)
Yes, yes, that’s all very well but it’s obvious that Mr. Eliot had never tried ‘Dry January’ because I can’t tell you how glad I will be when the 1st of February comes around and I can have a glass of wine. Here are my own thoughts on which month has a lot to answer for –
January is the cruellest month, drinking
Water is dead boring, mixing
Syrup and lemonade, stirring
Dull concoctions without wine.
from The Wagon, Tialys (2017)
Just to be clear – I haven’t got a drink problem but I do like a glass of wine (or two) when I’m cooking the evening meal (and when I’m eating it) – but only at weekends, although I do count Friday as being the weekend.
I expect my liver will thank me but there are four weekends in January – one more to go! – and it has seemed like an incredibly long month. Now I know how to slow down time.